In “Taste,” an oily vocal fillip glues everything together in “Swish,” something synth-like delivers a comparable riff in “Dip,” another “Taste”-y progression is provided by something violin-ish. The melodies of these singles are also similar. All five tracks return to the simplest of hooks, four- or five-syllable instructions that Tyga delivers with surprising lack of affect: “She can get a taste,” “Ba-back that ass ,” “Stick out ya tongue.” And all five tracks stay in a narrow tempo range, operating between 95 and 105 beats per minute. The core of all five songs is a canonical West Coast hip-hop sound built around simple bass loops and electronic hand-claps. It’s hard not to be impressed with Tyga’s single-minded focus. The latest, “Girls Have Fun,” a collaboration with G-Eazy and Rich the Kid, came out on Friday. Since releasing “Taste” on May 18, the rapper has released four more songs that sound nearly identical to that single. He also appears to be fixated on repeating it. Tyga is understandably elated about this achievement. “Taste” also reached Number Eight on the Hot 100. The single was played more 6,000 times during its final week in the top spot, according to data from Mediabase. Thanks to a beat that’s precisely calibrated for car stereos, “Taste” enjoyed four weeks at Number One in the radio format known as “Rhythmic,” which favors an energetic mixture of pop, dance music, hip-hop, R&B and reggaeton. “If pop radio would actually give it a look, I think that would be a smash. “The next big song that’s going to be on Top 40 that everyone is completely whiffing on right now is Tyga’s ‘Taste,'” Graham said. Last summer, Nathan Graham, program director for the Detroit pop station WDZH, made a prediction.
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